how stained glass works - colored glass window film
History of stained glass, even if people-
The glass beads made can be traced back to the ancient Egyptians and Romans, and some pieces of colored glass pieces left over can be traced back to the 9 th century as an art form, our first detailed description of colored glass from Theophilus on the 12 thcentury monk.
Glass description by Philes
Make and create stained glass windows in his work "multi Art.
"Some of the chapters in his paper work on the construction of stained glass windows and show us a strong interest in topics that must have existed at that time
Source: Metropolitan Museum of Art.
Gothic architecture is becoming more and more popular, and it is able to support the design of large heavy colored glass, which helps to usher in a new era.
The stained glass windows of churches around Europe became larger, more complex and more majestic in the Middle and Late Middle Ages.
It is from this period that we have seen many of the best examples of colored glass that exist today [
Source: Metropolitan Museum of Art.
Changes in political and religious beliefs have had a profound impact on the development of stained glass and the survival of stained glass art in churches across Europe.
Protestant reform in the early 16 th century
Europe of the century, the rise of Oliver Cromwell of Britain, and the revolution of France, have brought about turmoil, resulting in the wanton destruction of religious art, including many irreplaceable stained glass windows
After these turbulent events, glass craftsmen seek to engage in less controversial, more profitable work with wealthy customers and eventually start using more non-religious themes in privately commissioned projects
Over time, artistic changes have also taken place in the style and popularity of stained glass.
The 15 th century Renaissance painters introduced a more subtle and realistic image trend in art. source: Morris].
As a result, glass artists began painting on glass rather than relying heavily on colored glass and lead-made frames to create images.
This gives them more opportunities to create details at work.
But as a result, some of the power of color glass design, brilliant color saturation, and bold structure have all disappeared in the process.
By the beginning of the 19 th century, many basic techniques for coloring and textured glass had been abandoned, and stained glass had lost a lot of popularity.
During the 19th-century Victorian Gothic revival, there was renewed interest in the old methods of making and using stained glass [source: Morris]. Men like J. R.
Clayton, Alfred Bell, Charles Emmer Kemp, Louis confort Tiffany and William Morris began to rediscover the stained glass technology and bring the new modern
One such improvement in Louis confort Tiffany's design is the introduction of a copper foil construction method that makes it easier to assemble colored glass designs and handle curves.
Colorful glass artworks like lamps have become popular, and new uses of colored glass in public buildings and private homes have helped to introduce colored glass into the 20 th century.
Now, the widespread use of color glass and glass cutting molding tools makes it easy for even novice artists to create with color glass.
Professional stained glass artists can see new trends in modern art and use unexpected materials such as mirrors to drive innovation in colored glass in the future.
Some of the limitations imposed on large colored glass sheets, such as the need for strong visible brackets, may also change.
The new method of strengthening colored glass artwork with processes such as lamination makes it easier to build a larger colored glass design without additional support.